In Tate Britain
Prints and Drawings Room
View by appointment- Artist
- Sir Edward Coley Burne-Jones, Bt 1833–1898
- Medium
- Graphite on paper
- Dimensions
- Support: 203 × 190 mm
- Collection
- Tate
- Acquisition
- Bequeathed by J.R. Holliday 1927
- Reference
- A00089
Explore
- architecture(30,960)
-
- features(8,872)
-
- platform / stage(61)
- clothing and personal items(5,879)
-
- helmet(272)
- actions: postures and motions(9,111)
-
- kneeling(502)
- man(10,453)
- male(959)
You might like
-
Sir Edward Coley Burne-Jones, Bt Two Studies of Tristram for ‘The Madness of Sir Tristram’
c.1862 -
Sir Edward Coley Burne-Jones, Bt Roundel with the Head of a Warrior
c.1870–5 -
Sir Edward Coley Burne-Jones, Bt Composition Study for ‘The Merciful Knight’. Verso: Study for a Nativity
c.1863 -
Sir Edward Coley Burne-Jones, Bt Composition Study for ‘The Merciful Knight’
c.1863 -
Sir Edward Coley Burne-Jones, Bt Nude Study of Knight for ‘The Merciful Knight’
c.1863 -
Sir Edward Coley Burne-Jones, Bt Nude Study of the Knight for ‘The Merciful Knight’
c.1863 -
Sir Edward Coley Burne-Jones, Bt Study of Knight for ‘The Merciful Knight’
c.1863 -
Sir Edward Coley Burne-Jones, Bt Study of a Seated Male Nude for ‘The Liberation of St Peter’ in the Church of St Michael and All Angels, Lyndhurst, Hampshire
c.1863 -
Sir Edward Coley Burne-Jones, Bt Two Studies of a Seated Male Nude for ‘The Liberation of St Peter’ in the Church of St Michael and All Angels, Lyndhurst, Hampshire
c.1863 -
Sir Edward Coley Burne-Jones, Bt Study of a Male Figure for ‘Clerk Saunders’
c.1861 -
Sir Edward Coley Burne-Jones, Bt Sketch of Two Seated Figures: ‘Chant d’Amour’
c.1862–5 -
Sir Edward Coley Burne-Jones, Bt Study for ‘Buondelmonte’s Wedding’
c.1859 -
Sir Edward Coley Burne-Jones, Bt Composition Study for ‘Ezekiel and the Boiling Pot’
c.1860 -
Sir Edward Coley Burne-Jones, Bt Atlas Turned to Stone; The Rock of Doom and the Doom Fulfilled; The Court of Phineas; The Baleful Head
1875–6 -
Sir Edward Coley Burne-Jones, Bt Study of the Pilgrim for ‘The Pilgrim at the Garden of Love’
c.1872–7
