In Tate Britain
Prints and Drawings Room
View by appointment- Artist
- Sir Edward Coley Burne-Jones, Bt 1833–1898
- Medium
- Graphite on paper
- Dimensions
- Support: 190 × 303 mm
- Collection
- Tate
- Acquisition
- Bequeathed by J.R. Holliday 1927
- Reference
- A00109
Display caption
Following his visits to Venice and Northern Italy in 1859 and again in 1862, Burne-Jones created a number of watercolours which recall the bucolic pastoral mood of Giorgione and Titian. The figures in this study can be related to those in 'An Idyll', which was completed in 1862 (Birmingham Museum and Art Gallery). However, the composition also anticipates the design of 'Le Chant d'Amour', as is suggested by the inscription of Burne-Jones's assistant, Charles Fairfax Murray. This was a subject the artist used to decorate a piano in the early 1860s (Victoria and Albert Museum) and one that he returned to in watercolour, in gouache and in oil.
Gallery label, August 2004
Does this text contain inaccurate information or language that you feel we should improve or change? We would like to hear from you.
Explore
- emotions, concepts and ideas(16,416)
-
- emotions and human qualities(5,345)
-
- love(516)
- music and entertainment(2,331)
-
- music(916)
- fine arts and music(3,982)
-
- instrument, lute(40)
- sex and relationships(833)
-
- couple(1,322)
You might like
-
Sir Edward Coley Burne-Jones, Bt Study of Seated Figure for ‘The Garden Court’ in the ‘Briar Rose’ Series
c.1873 -
Sir Edward Coley Burne-Jones, Bt Study of Seated Figure for ‘The Garden Court’ in the ‘Briar Rose’ Series
c.1873 -
Sir Edward Coley Burne-Jones, Bt Ruth and Boaz
1879 -
Sir Edward Coley Burne-Jones, Bt Composition Study for ‘The Merciful Knight’
c.1863 -
Sir Edward Coley Burne-Jones, Bt Two Studies of a Seated Male Nude for ‘The Liberation of St Peter’ in the Church of St Michael and All Angels, Lyndhurst, Hampshire
c.1863 -
Sir Edward Coley Burne-Jones, Bt Study for ‘Blind Love’
date not known -
Sir Edward Coley Burne-Jones, Bt Study of a Seated Woman for ‘The Hours’
c.1866 -
Sir Edward Coley Burne-Jones, Bt Study of Heads for a Pietà
date not known -
Sir Edward Coley Burne-Jones, Bt Study for ‘Pluto and Proserpine Listening to the Music of Orpheus’
c.1875 -
Sir Edward Coley Burne-Jones, Bt Sketch of Two Seated Figures for ?‘The Backgammon Players’
?c.1861 -
Sir Edward Coley Burne-Jones, Bt Study for ‘Buondelmonte’s Wedding’
c.1859 -
Sir Edward Coley Burne-Jones, Bt King René‘s Honeymoon
date not known -
Sir Edward Coley Burne-Jones, Bt Lovers in a Garden
?1863 -
Sir Edward Coley Burne-Jones, Bt Atlas Turned to Stone; The Rock of Doom and the Doom Fulfilled; The Court of Phineas; The Baleful Head
1875–6 -
Sir Edward Coley Burne-Jones, Bt Clerk Saunders
1861