In Tate Britain
Biography
William Blake (28 November 1757 – 12 August 1827) was an English poet, painter, and printmaker. Largely unrecognised during his life, Blake is now considered a seminal figure in the history of the poetry and visual art of the Romantic Age. What he called his "prophetic works" were said by 20th-century critic Northrop Frye to form "what is in proportion to its merits the least read body of poetry in the English language". His visual artistry led 21st-century critic Jonathan Jones to proclaim him "far and away the greatest artist Britain has ever produced". In 2002, Blake was placed at number 38 in the BBC's poll of the 100 Greatest Britons. While he lived in London his entire life, except for three years spent in Felpham, he produced a diverse and symbolically rich collection of works, which embraced the imagination as "the body of God" or "human existence itself".
Although Blake was considered mad by contemporaries for his idiosyncratic views, he came to be highly regarded by later critics and readers for his expressiveness and creativity, and for the philosophical and mystical undercurrents within his work. His paintings and poetry have been characterised as part of the Romantic movement and as "Pre-Romantic". In fact, he has been said to be "a key early proponent of both Romanticism and Nationalism". A committed Christian who was hostile to the Church of England (indeed, to almost all forms of organised religion), Blake was influenced by the ideals and ambitions of the French and American revolutions. Though later he rejected many of these political beliefs, he maintained an amiable relationship with the political activist Thomas Paine; he was also influenced by thinkers such as Emanuel Swedenborg. Despite these known influences, the singularity of Blake's work makes him difficult to classify. The 19th-century scholar William Michael Rossetti characterised him as a "glorious luminary", and "a man not forestalled by predecessors, nor to be classed with contemporaries, nor to be replaced by known or readily surmisable successors".
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Read full Wikipedia entryArtworks
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William Blake The Circle of the Lustful: Francesca da Rimini (‘The Whirlwind of Lovers’)
1826–7, reprinted 1892 -
William Blake Ciampolo the Barrator Tormented by the Devils
1826–7, reprinted 1892 -
William Blake The Baffled Devils Fighting
1826–7, reprinted 1892 -
William Blake The Six-Footed Serpent Attacking Agnolo Brunelleschi
1826–7, reprinted 1892 -
William Blake The Serpent Attacking Buoso Donati
1826–7, reprinted 1892 -
William Blake The Pit of Disease: The Falsifiers
1826–7, reprinted 1892 -
William Blake Dante Striking against Bocca Degli Abati
1826–7, reprinted 1892 -
William Blake Job and his Family
1828, reprinted 1874
Artist as subject
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Attributed to John Linnell The Man Who Taught Blake Painting in his Dreams (after William Blake)
c.1825 -
After William Blake The Man Who Taught Blake Painting in his Dreams (counterproof)
after c.1819–20 -
Francis Bacon Study for Portrait II (after the Life Mask of William Blake)
1955 -
Sir John Akomfrah CBE The Unfinished Conversation
2012