This talk will examine the importance of drawing and working on paper to British artist, writer and occultist Ithell Colquhoun (1906–88). Perhaps better known for her paintings, researcher Jacqui McIntosh reappraises Colquhoun’s output, exploring how, for her, drawing was not only a preparatory tool but a space to record ideas and experiences, and through the creation of finished artworks, an end in itself.
This talk will consider the encounters and experiences that shaped Colquhoun’s artistic development during the 1930s and 40s – from her involvement with the British Surrealist group and interaction with key figures and artists further afield to her increasing involvement with esotericism. It will demonstrate how drawing was an essential and constant presence within Colquhoun’s artistic practice and explore how automatism and working on paper became integral components in her work.
The talk starts at 12.30 and will accompany a curated display of drawings and archival materials open between 12.00–14.00.