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Tate Papers

Andrei Tarkovsky and Contemporary Art: Medium and Mediation

Robert Bird

The rediscovery of the Soviet film director Andrei Tarkovsky (1932–1986) as an artist in the cinema allows us to see …

Tate Papers

Advocating to Stakeholders

Andrea Nixon

Advocacy – what is it? – and, indeed, stakeholders: who are they? The answers to these questions will be different …

Tate Papers

Some Notes on Words and Things in Cy Twombly’s Sculptural Practice

Kate Nesin

This paper presents an extended close reading of Cy Twombly’s Untitled (Funerary Box for a Lime Green Python), 1954, …

Tate Papers

Cy Twombly’s Humanist Upbringing

Carol A. Nigro

In the United States postmodern scepticism often has relegated Cy Twombly’s engagement with classical and humanist themes to nostalgia, irrelevance …

Tate Papers

On the Evolution of a Peer-led Programmme: Tate Forum

Rebecca Sinker

This paper reflects on the development of Tate Forum, Tate Britain’s peer-led youth group (established 2002), drawing on interviews with …

Tate Papers

The History and Manufacture of Lithol Red, a Pigment Used by Mark Rothko in his Seagram and Harvard Murals of the 1950s and 1960s

Harriet A. L. Standeven

For his 1950s and 1960s Seagram and Harvard murals, American artist Mark Rothko employed lithol red – a highly fugitive …

Tate Papers

Time-Lines: Rilke and Twombly on the Nile

Mary Jacobus

Cy Twombly’s remark that ‘lines have a great effect on painting’ resonates not only with his graphic practice but with …

Tate Papers

An Unpublished Drawing by Duchamp: Hell in Philadelphia

Jennifer Mundy

This paper discusses a hitherto unpublished drawing by Marcel Duchamp (1887–1968) that relates to his masterwork The Bride Stripped Bare …

Tate Papers

Perspectives: Negotiating the Archive

Sue Breakell

Archives are more prominent than ever, not only in art practice and theoretical discourse but also in popular culture. An …

Tate Papers

Alfredo Jaar and the Post-Traumatic Gaze

Olivier Chow

This paper discusses the relation between trauma and representation in the work of Chilean artist Alfredo Jaar (born 1956), focusing …

Tate Papers

Sir Edward Manton's Glebe: Completing the Provenance of Constable's Glebe Farm Sketch c.1830

Douglas Congdon-Martin

When John Constable’s sketch of The Glebe Farm was formally presented to Tate Britain in 2006, after the death of …

Tate Papers

Art in the Archives: An Artist's Residency in the Archives of the London School of Economics

Sue Donnelly

This paper explores the aims and outcomes of an artist’s residency in the Archives of the London School of Economics. …

Tate Papers

Tangentially: The Archive and the Bathroom

Jo Melvin , Victoria Worsley and Lucy Gunning

This paper discusses the role of the archive in relation to the artistic process, through the work of Lucy Gunning, …

Tate Papers

The Legacy of Interaction: Artists at the Imperial War Museum 1981–2007

Angela Weight and Catherine Moriarty

The idea that artists might reinvigorate and activate collections in new ways no longer seems a radical concept, but this …

Tate Papers

The Very Late Style of Hans Hartung

Jennifer Mundy

Hans Hartung (1904–1989) suffered a major stroke in 1986 and was wheelchair-bound for his remaining years. Yet in this period …

Tate Papers

The Modern Cult of Replicas: A Rieglian Analysis of Values in Replication

Sebastiano Barassi

Sebastiano Barassi, The Modern Cult of Replicas: A Rieglian Analysis of Values in Replication; Tate Papers no.8, featuring the conservation …

Tate Papers

Towards Anarchitecture: Gordon Matta-Clark and Le Corbusier

James Attlee

Gordon Matta-Clark (1943–1978), who trained originally as an architect, is best known for his spectacular ‘building cuts’. These have often …

Tate Papers

Historically Accurate Reconstructions of Artists’ Oil Painting Materials

Leslie Carlyle and Maartje Witlox

This paper describes a four-year project (2002 to 2006) funded by the Netherlands Organisation for Scientific Research entitled Historically Accurate …

Tate Papers

A Dramatic Reading of Augustus Leopold Egg’s Untitled Triptych

Annabel Rutherford

This article explores the significance of the theatrical and literary references found in the triptych Past and Present 1858 by …

Tate Papers

Josef Albers, Eva Hesse, and the Imperative of Teaching

Jeffrey Saletnik

This paper examines affinities between the Bauhaus-indebted instructional methods and practices of Josef Albers and the sculpture of Eva Hesse, …