Joseph Mallord William Turner, The Shipwreck exhibited 1805. Tate.

Sea Power

Joseph Mallord William Turner, The Shipwreck  exhibited 1805

Turner had a lifelong passion for the sea. Shipwrecks and other disasters were a popular theme when Turner painted this. They demonstrated the powerful forces of the elements and the fears of those who travelled far from home. We don’t know whether this painting was inspired by an actual shipwreck. Turner demonstrates the trauma and horror of a shipwreck with dramatic realism. These dark colours are common in Turner’s early paintings. They provide a contrast to the white crests of the waves.

Gallery label, July 2020

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artworks in Sea Power

Joseph Mallord William Turner, The Battle of Trafalgar, as Seen from the Mizen Starboard Shrouds of the Victory  1806–8

Nelson’s defeat of the French and Spanish navies at Trafalgar on 21 October 1805, and his death during the battle, led to outpourings of jubilation and grief in Britain. Turner painted this picture for his own gallery in 1806 and reworked it by 1808 as a tribute to Nelson and the Royal Navy. Turner depicts Nelson collapsing on the Victory’s deck, struck by a French sniper’s bullet just as the French concede defeat by laying down a tricolour. The picture was praised as the ‘first British epic’ combining the death of a ‘hero’ with ‘the whole of a great naval victory’.

Gallery label, November 2022

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artworks in Sea Power

Joseph Mallord William Turner, Spithead: Two Captured Danish Ships Entering Portsmouth Harbour  1807–9

In 1807, British forces seized the Danish fleet to prevent Napoleon forcing Denmark to block the Baltic sea and hamper trade routes for British merchant shipping. Turner painted this picture after watching some of the captured ships arrive off Spithead. He first exhibited it in 1808 with the title Two Captured Danish Ships Entering Portsmouth Harbour. If it was intended as a patriotic celebration it was soon overtaken by political backlash. Denmark was neutral, and the British action was dangerously provocative. When Turner exhibited the picture again in 1809, he changed the title to Boat’s Crew Recovering an Anchor.

Gallery label, November 2022

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artworks in Sea Power

Joseph Mallord William Turner, Shipping at the Mouth of the Thames  c.1806–7

This breezy scene is the Thames Estuary, probably off Sheerness Turner places fishing and smaller boats next to a man-of-war guardship. This is perhaps the naval ship stationed at the Nore anchoring-ground.The unfinished canvas shows how Turner prepared and began the marine paintings he exhibited around 1807–9, mainly at his own Gallery. It is freely brushed in delicate colours over a pale background. This enhances the light effects and luminosity of the finished work.

Gallery label, July 2020

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artworks in Sea Power

Art in this room

N00476: The Shipwreck
Joseph Mallord William Turner The Shipwreck exhibited 1805
N00480: The Battle of Trafalgar, as Seen from the Mizen Starboard Shrouds of the Victory
Joseph Mallord William Turner The Battle of Trafalgar, as Seen from the Mizen Starboard Shrouds of the Victory 1806–8
N00481: Spithead: Two Captured Danish Ships Entering Portsmouth Harbour
Joseph Mallord William Turner Spithead: Two Captured Danish Ships Entering Portsmouth Harbour 1807–9
N02702: Shipping at the Mouth of the Thames
Joseph Mallord William Turner Shipping at the Mouth of the Thames c.1806–7