Not on display
- Artist
- Alex Katz born 1927
- Medium
- Oil paint on hardboard
- Dimensions
- Support: 230 × 305 × 3 mm
frame: 249 × 325 × 34 mm - Collection
- ARTIST ROOMS Tate and National Galleries of Scotland
- Acquisition
- ARTIST ROOMS Acquired jointly with the National Galleries of Scotland through The d'Offay Donation with assistance from the National Heritage Memorial Fund and the Art Fund 2008
- Reference
- AR00016
Online caption
Katz began painting beach scenes in the late 1990s, painting 'en plein air' in an attempt to grasp the colour and light of a specific moment. This work explores the effects of light on water with deft brush marks. He has been painting the American landscape since the 1950s, often during summer residencies in Maine. Katz is well known for his large paintings, whose bold simplicity and heightened colours are now seen as precursors of Pop Art. Small oil paintings such as this one are sketched from life and often intended to be scaled up into larger works, but their economic execution and visible brushstrokes reveal an intimate side to his practice. He says, "A sketch is very direct. It is working empirically, inside of an idea."
Explore
You might like
-
Alex Katz West Window
1979 -
Alex Katz Lillies Against Yellow House
1983 -
Alex Katz Young Trees
1989 -
Alex Katz Ocean View
1992 -
Alex Katz Winter Branch
1993 -
Alex Katz Night Branch
1994 -
Alex Katz West Palm Beach
1997 -
Alex Katz City Night
1998 -
Alex Katz Road
1998 -
Alex Katz Penobscot
1999 -
Alex Katz Pink Sweater
1981 -
Alex Katz Eli’s Friend
1985 -
Alex Katz Kate
1993 -
Alex Katz Vincent
1996 -
Alex Katz West 1
1998