In Tate Britain
Biography
James Barry (11 October 1741 – 22 February 1806) was an Irish painter, best remembered for his six-part series of paintings entitled The Progress of Human Culture in the Great Room of the Royal Society of Arts in London. Because of his determination to create art according to his own principles rather than those of his patrons, he is also noted for being one of the earliest romantic painters working in Britain, though as an artist few rated him highly until the fully comprehensive 1983 exhibition at the Tate Gallery led to a reassessment of this "notoriously belligerent personality", who emerged as one of the most important Irish artists. He was also notable as a profound influence on William Blake.
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Read full Wikipedia entryArtworks
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James Barry King Lear Weeping over the Dead Body of Cordelia
1786–8 -
James Barry A Grecian Harvest Home
first published 1792 -
James Barry The Thames, or the Triumph of Navigation
first published 1792 -
James Barry The Distribution of Premiums in the Society of Arts
first published 1792 -
James Barry Elysium and Tartarus
first published 1792 -
James Barry Detail of the Diagorides Victors
first published 1795 -
James Barry Orpheus
first published 1792 -
James Barry The Thames, or the Triumph of Navigation
first published 1792
Artist as subject
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Joseph Mallord William Turner Inscription by Turner: Notes on Perspective and Art History, from Matthew Pilkington and James Barry
c.1809 -
James Barry Self-Portrait, Three Quarters to Left
date not known