In Tate Britain
Prints and Drawings Room
View by appointment- Artist
- Sunil Gupta born 1953
- Medium
- Photograph, gelatin silver print on paper
- Dimensions
- Image: 287 × 191 mm
- Collection
- Tate
- Acquisition
- Gift Eric and Louise Franck London Collection 2013
- Reference
- P13783
Online caption
Gupta was an active figure in the cultural politics of London in the 1980s, notably through the British Black Arts movement and Autograph ABP (Association of Black Photographers). In his photographs he explores the identity of people who are marginalised due to their race, sexuality or country of origin. Coronet Cinema, Notting Hill Gate is an autobiographical image. It shows a couple (Gupta and his white lover) posing outside a cinema advertising the 1985 film My Beautiful Laundrette, the story of a romance between an Asian man and a white man.
Explore
- architecture(30,960)
-
- places of entertainment(637)
-
- cinema(20)
- emotions and human qualities(5,345)
-
- identity(10)
- photographic(4,673)
- Asian(117)
- Gupta, Sunil(1)
- individuals: male(1,841)
- self-portraits(888)
- UK countries and regions(24,355)
-
- England(19,202)
- sex and relationships(833)
-
- homosexuality(1,673)
- race(381)
You might like
-
Sunil Gupta Ian and Julian, from the series Ten Years On
1986, printed 2010 -
Sunil Gupta Bruno & Daniel, London
1984, printed 2018 -
Sunil Gupta David & Peter, London
1984, printed 2018 -
Sunil Gupta John & John, London
1985, printed 2018 -
Sunil Gupta Johnathan & Kim, London
1985, printed 2018 -
Sunil Gupta Guy & Brian, London
1984, printed 2018 -
Sunil Gupta Sue & Yve, London
1984, printed 2018 -
Sunil Gupta Emmanuel & David, London
1984, printed 2018 -
Sunil Gupta Andrew & John, London
1985, printed 2018 -
Sunil Gupta Dylan & Gerald, London
1985, printed 2018 -
Sunil Gupta Simon & John-Paul, London
1985, printed 2018 -
Sunil Gupta Karl & Daniel, London
1985, printed 2018 -
Sunil Gupta Roger & Steve, London
1984, printed 2018 -
Sunil Gupta Ian & Pavlik, London
1984, printed 2018 -
Sunil Gupta Lisa & Emily, London
1984, printed 2018