Tate Britain Exhibition

Edward Burne-Jones

Sir Edward Coley Burne-Jones Laus Veneris 1873-1878 Laing Art Gallery, Newcastle upon Tyne

Sir Edward Coley Burne-Jones Laus Veneris 1873-1878 Laing Art Gallery, Newcastle upon Tyne

One of the last Pre-Raphaelites, Edward Burne-Jones brought imaginary worlds to life in awe-inspiring paintings, stained glass windows and tapestries 

Born in 1833, Burne-Jones rejected the industrial world of the Victorians, looking instead for inspiration from medieval art, religion, myths and legends.

He made spectacular works depicting Arthurian knights, classical heroes and Biblical angels – working across painting, stained glass, embroidery, jewellery and more. With his friend William Morris he was a pioneer of the arts and crafts movement, which aimed to bring beautiful design to everyone.

This exhibition – his first solo show at Tate since 1933 - charts Burne-Jones’s rise from an outsider with little formal art training to one of the most influential British artists of the late 19th century.

With over 150 objects, it will bring together major works from across his career for the first time in generations. Highlights include some of his best loved works, such as his huge paintings telling the dreamlike fairytale of Sleeping Beauty, wall-filling tapestries and his remarkable drawings.

Tate Britain

Millbank
London SW1P 4RG
Plan your visit

Dates

24 October 2018 – 24 February 2019

Extended opening hours on Friday 1 February for Late at Tate Britain

Supported by

Tate Patrons and Tate Members

In partnership with

*****

be enveloped in sensuous beauty

Evening Standard
*****

Whimsical world proves intoxicating

The Telegraph

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Find out more

  • Pre-Raphaelite

    The Pre-Raphaelites were a secret society of young artists (and one writer), founded in London in 1848. They were opposed to the Royal Academy’s promotion of the ideal as exemplified in the work of Raphael

  • Arts and Crafts

    Arts and Crafts was a design movement initiated by William Morris in 1861 which aimed to improve the quality of design and make it available to the widest possible audience

  • Symbolism

    Late nineteenth-century movement that advocated the expression of an idea over the realistic description of the natural world

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